
There is no courage in American news reporting, so I have mixed emotions on the funding cutoff for NPR. Having spent a good part of my life in Billings and Bozeman, Montana, NPR was to me hours and hours of classical music, occasional news, Click and Crack and Warren Olney. But they would leave regular programming to cover major events free of advertising, including congressional hearings and floods. Their “here’s what you should think about this” commentary was kept to a minimum.
Now that government funding will be cut off for NPR, I wonder what will happen to all that band width. NPR will still exist, for sure. It took on corporate overlords years ago, so its news has not been any different than the commercial outlets for decades. But they did provide high quality programming in the non-news areas, including Fresh Air, Car Talk and Wait Wait.*** But hell, I can easily live without all of those. Perhaps the government funding was so small that it won’t be much affected – I do remember NPR getting a $200 million grant from the Estate of Joan Kroc. I even thought at the time that the money might give them some independence.
But to those who say “Why should I have to pay for news outlets that I don’t watch and blah blah blah, all I can say is “F*** your wars that I’m paying for, and my kids and grandkids.
NPR came about in the wake of the sixties, a deliberate attempt to tighten the reins on private radio outlets that had been unpatriotic during that time. Community broadcasting was an important outlet for information and education. It also undermined the propaganda system. Even so, by its very nature, not constrained by advertising in those early years, NPR did some very good work. This is attested to by the fact that the right wing went into hissy fits now and then, and programming was condemned on the floor of the senate and house.
It’s long since gone over the hill to the other side. The wine snob Ron Schiller, who was taken down by the video hit man last week, is all too typical of the limousine liberal fare of that network.
By the way, have you ever noticed that the pay channels often broadcast subversive programs, like Bill Maher’s Real Time? Bryan Gumbel and Real Sports is highly critical of the NFL. Such disrespect is not allowed on regular channels. Oliver Stone is going to run a series called The Secret History of America on Showtime, unless billionaire Haim Saban forces the network to shut him down. Because subscribers pay for those channels, some of the filtering is removed, and some honest and controversial programming slips in. * **
So what happens now? I suppose that NPR chugs along, more subject to corporate financing even than before, and eventually becomes just another crappy radio outlet. Perhaps some of the affiliates will have to go local for programming, and community radio will reappear. That would be a good thing.
But in the end, my only real thought about the loss of NPR is this: Are Tommy and Ray real mechanics, or is that just their radio persona?
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*Sixty Minutes was drooling all over itself after the 1999 movie The Insider came out. It dealt with some explosive inside information about how the tobacco company Brown and Williams knew how deadly their product was and spiked cigarettes with chemicals to make them even more addictive. Several attempts were made to stop the broadcast, but it was aired anyway. That’s what the movie is was about – the 60 minute heroes. Here’s what they forgot to say: Brown and Williams was not allowed to do TV advertising for tobacco products, and had no other divisions besides tobacco, and so had no financial leverage over CBS. That’s why the report even got through in the first place. B&W had to resort to an old-fashioned lawsuit to stop the broadcast, which they eventually lost.
**I believe that it was HBO that showed the movie “Waco: Rules of Engagement“, a documentary about that event that would never make its way to regular TV, as it accused the government of mass murder.
*** When I got satellite radio, I learned about Bob Edwards, Diane Rehm, Brian Lehrer, Talk of the Nation … yawn. Rehm is especially nondescript, but the others place a close second. PRI gives us This American Life with Ira Glass – that is great programming.













