
Of all the instruments in an orchestra, my favorite is the oboe. Its sound haunts me, and perhaps as in the screen grab above, has the same effects on the clarinetist sitting next to the oboist in the London Symphony Orchestra. And, perhaps as you read this and think I am going to write about classical music, you’ve decided that you’ve better things to do.
I’ll be brief. The oboist is playing part of Dvorak’s 9th Symphony, second movement, a beautiful haunting piece. I recognized it instantly as I flipped on my iPad this morning. I tried to save it but could not. It only wants to show the entire video, and take you to Facebook in the process. You’re on your own.
I first came upon this piece of music years ago in a piano piece by Charlie Haden and Hank Jones, used by the producers of the TV series Bosch. In the episode a young boy had died before his time, and as the piano music, called “Goin’Home“, played, two detectives were informing the mother of her son’s death, and Harry Bosch uncovering the body at the morgue. The emotion that the piece invoked was overwhelming. I sent away for the CD on which Haden and Jones*** played it, and a couple of months later it arrived from England. The entire CD consisted of that piece and familiar religious compositions, none of which appealed to me. But I hung on to Goin’ Home piece because of its powerful evocative quality. Later I learned that the piece was played at FDR’s funeral, during a time when the whole nation was in mourning. (Have I ever written about FDR faking his death? All of the hallmarks of a fake presidential death are there, but I’ve never had the energy to write it up.)
I put the lyrics to the piece at the end here for anyone interested, as it was written to be a Negro spiritual. Lovely though they are, I think the lyrics ruin the music.
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