The progression of personalities through the various mediums has been an ongoing subject of interest on this blog. People, Intelligence assets it appears, or perhaps just members of privileged bloodlines, are given an assignment, for instance, to be a musician. They are given fame and record deals and concert dates. From the outside looking in they appear to be a natural phenomenon. Then, for various reasons (unsustainable career, lack of talent, need to promote new acts, or merely to capitalize on record sales) they fake their deaths. Often they disappear from public view forever, as did Karen Carpenter, John Denver, Prince, Elvis Presley, Kurt Cobain and Michael Jackson, to name a few.
But just as often, we have noticed at this blog, they reappear. Most often they go into the “news” business, or use of a fake but trustworthy persona to disseminate false information. Such people often guard the exits, as with Brandon DeWilde becoming “Thom Hartmann” and Janis Joplin twins becoming “Amy Goodman.” These are “lifetime actors” … that is, they will never reveal to anyone their secret or their real identity. They are permanently frozen in their fake identities.
Kim Philby was by some accounts a Soviet spy working in England, and who was exposed. For our purposes I will ignore the challenge that ferreting out his real life and work presents, and just offer a later-in-life quote from him that is apropos:
“[There] was the liberal smokescreen behind which I concealed my real opinions. One writer who knew me in Beirut has stated that the liberal opinions I expressed in the Middle East were ‘certainly’ my true ones. Another comment from a personal friend was that I could not have maintained such a consistently liberal-intellectual framework unless I had really believed in it. Both remarks are very flattering. The first duty of an underground worker is to perfect not only his cover story but his cover personality.” (Philby, My Silent War, page 201)
Understanding that the people we expose here are Intelligence assets (or agents), and that they will never, under any circumstances, reveal their true identity or admit that they faked their death, is critical to understanding the zombie phenomenon we have uncovered. It is a part of our fake world that we stumbled upon, never imagining the degree to which the world presented to us by electronic media is false. It is as if we are each living The Truman Show.
Part of the facade of our fake reality is the music business. It is not happenstance. There is far more musical talent around than ever makes it big. Those who make it big are not as talented as we are led to believe, and often enough use real musicians (as the Wrecking Crew in the 60s and 70s) in studios or on stage to fake their performances. The supposed Milli Vanilli scandal of 1989 served to reinforce the false impression that when we see performers on stage that they are using their own voices and instruments. That might have been the purpose of that little psyop.
Music is simply too important to be left to chance. It is the tribal beat. It can inspire people to fall in love, rebel, or to love and hate public personalities and ideas. It shapes our manners and perceptions and forms of dress. It must be and is under state control. No one is granted success in music unless previously compromised, or a member of a bloodline. Once they achieve fame, their songs are handed to them, as are their recording deals and their gigs. They are, of course, as easily taken down as propped up.
A fake musician like Bono, for instance, who cannot read music or play an instrument, and who is a gravelly non-resonating singer at best, owes his fame to power of suggestion and lots of behind-the-scenes support. He’s a fake, but is not alone. It is a big fraternity (sorority) of deceit.
This is all by way of introducing Buddy Holly, a musician who gained fame in the 1950s and who faked his death on February 4, 1959 at age 22. It was not Holly’s idea to fake his death, and we cannot know the reasons, as no one is talking. But I would guess that he was known to be a marginal talent who could not sustain a long career, and yet was seen as useful for other purposes.
In our original writing on the matter of Buddy Holly, we made the assertion that we was actually a set of twins. I stand by that assertion with the caveat that due to the number and poor quality of photos available of him, that I cannot offer enough evidence … at least by the use of those photos. So my intent here is to back into the Holly twins by means of two other sets of twins: David Geffen/Jeffrey Katzenberg, and Gram Parsons.
Geffen/Katzenberg: They’re so vain
Geffen is the “G” in Dreamworks, SKG, the Steven Spielberg movie company, and Katzenberg the K. Both men are, I assume, false fronts, as both the music and movie business have long been under control of Intelligence, so that no one person has the kind of power these men (including Spielberg) purport to have.
On the left is Geffen, on the right Katzenberg. I was struck by their resemblance to one another back when we were working on the Holly twins, so much so that I speculated that “Holly” had morphed into these two men. Geffen of course has a wider face and nose, and Katzenberg has that square jaw. The most distinguishing feature between them is the smile – Katzenberg most often has a wide grin when he smiles, while Geffen, having a very similar mouth, seldom cuts loose with an unrestrained smile.
This seems a logical starting point, a situation where it is a given that we have two people, so there is nothing to prove regarding their separate identities. Work backward now with me as I try to explain the odd differences in two people calling themselves “Gram Parsons” and “Buddy Holly”, fictitious names, I assume, for fictitious people.
Ambrose Bierce famously described marriage as “the state or condition of a community consisting of a master, a mistress and two slaves, making in all, two.” With our six people we have two moguls, two fake musicians, two fake deaths, making in all, two.
The Gram Parsons experience
Gram Parsons has always been a person of interest to us, someone we know faked his death, who we knew was still around, but whom we could not place. Part of the reason for our difficulties is apparent now, that Parsons was a set of twins.
Here is Wikipedia’s account of the death of Gram Parsons:
In the late 1960s, Parsons became enamored with Joshua Tree National Monument (now Joshua Tree National Park) in southeastern California. After splitting from Burrell, Parsons would frequently spend his weekends in the area with Margaret Fisher and Phil Kaufman. Parsons was scheduled to begin another tour in October 1973. Parsons decided to go on one more excursion before this tour. Accompanying him were Fisher, personal assistant Michael Martin, and Dale McElroy, Martin’s girlfriend.
Less than two days after arriving at the Joshua Tree Inn in Room #8, Parsons was discovered unresponsive in his bedroom. Attempts to revive him failed and death was officially pronounced at 12:15 am on September 19, 1973 at Hi-Desert Memorial Hospital. Parsons was 26 years old at the time of his death and the official cause of death was an overdose of morphine and alcohol. According to Fisher in the 2005 biography Grievous Angel: An Intimate Biography of Gram Parsons, the amount of morphine consumed by Parsons would be lethal to three regular users and thus he had likely overestimated his tolerance considering his experience with opiates. Keith Richards, a close friend of Parsons, stated in the 2004 documentary film Fallen Angel that Parsons understood the danger of combining opiates and alcohol, and thus should have known better. Upon Parsons’ death, Fisher and McElroy were returned to Los Angeles by Kaufman, who dispersed the remnants of Parsons’ drugs in the desert.
Parsons’ body disappeared from the Los Angeles International Airport where it was being readied to be shipped to Louisiana for burial. Before his death, Parsons stated that he wanted his body cremated at Joshua Tree and his ashes spread over Cap Rock, a prominent natural feature there; however, Parsons’ stepfather organized a private ceremony back in New Orleans and neglected to invite any of his friends from the music industry. Two accounts state that Bob Parsons stood to inherit Gram’s share of his grandfather’s estate if he could prove that Gram was a resident of Louisiana, explaining his eagerness to have him buried there.
What a crock of …. several things to note there – one, Parsons, a founding member of the Byrds and a member of the Flying Burrito Brothers, and who also toured with Emmylou Harris, died of a fatal combination of alcohol and morphine. He was also part of the Laurel Canyon scene, so it might be logical to assume that he, like so many others there, was a substance abuser. I doubt it. Just as I doubt that Janis Joplin was a chronic drunk or drug user, so too for Parsons. They are running a psychological ploy on us, predictive programming. Once it is established by their public behaviors that they are users, death is foreshadowed and a fake death easily pulled off. “Of course,” we say when they die of overdoses. “I saw that coming.”
Secondly note one thing missing in the death of Gram Parsons: A body. They have gone to great lengths to justify there being no body – friends stealing a corpse from LA International, burning it in the desert. The spooks have over-explained here, a huge tell. Parsons faked his/their death/s.
To the left is Parsons, to the right Geffen. Note below how easily all features align, so much so that I think we are dealing here with the same man.
Below are Gram Parsons and Jeff Katzenberg. Note the distinguishing future from their counterparts, the wide and genuine smile.
And note how easily they blend, how all features including face are in perfect alignment.
It is my considered opinion that the Gram Parsons twins, fake or over-hyped musicians, became David Geffen and Jeffrey Katzenberg, fake industry moguls.
Buddy Holly – he really did catch a train for the coast!
Below are the Buddy Holly twins, as I see them, and based on that easily distinguished smile and a wider nose for the twin on the right, as the photos are too few and of lower quality.
Keep in mind that it could be with both of these photos that they are wearing veneers for teeth. Quite a few photos of the boys showed less-than-Hollywood-perfect teeth. (Note in all these photos that Holly appears a teenager.)
If I am correct in my assessment here, I should be able to line up the Buddy Holly on the left with the less smiley Gram Parsons, also on the left above.
And, using the same Holly photo, I should be able to blend him with David Geffen.
If these are the same two people, and I think they are (though the alignment suffers due to lack of good Holly photos), then Geffen has certainly had an ear tuck, a common Hollywood procedure. (I will take a closer look at ears later.)
We are only left to find Katzenberg in the Holly photos.
Again, I am seeing a Hollywood ear tuck, but strong resemblance.
Again we have an ear tuck, and near perfect alignment of features. The teeth look remarkably alike, given that Katzenberg has had some work done.
The telltale ear
Finally, above are photos of a very young Buddy Holly and a very young Gram Parsons, or so the Internet tells me. When I first put these side by side, I thought I was looking at different renditions of the same photo, so close are they. But they are indeed two separate photos. By this time you should know that this is the same person who would in the end become David Geffen. Here’s a gif running these together
That is the expected outcome, near perfect alignment of features. But the ears don’t align – that is angular distortion, nothing more, but note below the ears, side by side:
That is Parson’s ear on the left, Holly’s on the right. They look identical to me. Ears are said to be as good as fingerprints.
Here are Holly and Katzenberg one more time:
And the ears:
Again, they look identical to me.
This presentation is not without problems – the few and hard-to-work-with Holly photos one, and the other the timelines for the people involved. In fact, with Holly allegedly born in 1936, I am thinking Matt Damon batch thoughts. Perhaps instead of twins/zombies, I am dealing with clones? I will work backward:
Jeffrey Katzenberg was born on 12/21/1950, we are told, and note the 33 in that date. His timeline interferes with neither Holly or Parsons. He is said to have worked for John Lindsay’s NY mayor campaign in 1964, five years after the Holly plane crash. He became an assistant to movie executive Barry Diller in 1974, and in 1984 was brought over to work for Disney. No timeline problems.
David Geffen is said to be seven years older, though I do not see that difference. Born on 2/21/1943, however, he again does not cross paths with Holly, briefly appearing in Explosive Generation in 1961, two years after the Holly crash. (I assume that movie is not something we could view, making his actual participation suspect.) In 1960 he is said to have graduated Utrecht High School with a 66 average, no reason to add that ’66’ that I can see. In 1970 he formed Asylum records, and here we have a conflict, as Gram Parsons does not fake his death until 1973. In 1980 he forms Geffen Records, and in that same year for unknown reasons John and Yoko Lennon choose him to record Double Fantasy, which will be a huge seller after Lennon’s fake death. Yoko said he was the only producer to pay attention to her, which is why John chose him. I do not buy that.
Gram Parsons (Ingram Cecil Conner III) is born 11/5/1946, and like so many rock stars in the Laurel Canyon era, had (or was assigned) a military family background. His parents were Ingram Cecil (“Coon Dog”) and Avis (née Snively) Connor. Coon Dog was some kind of war legend. Parsons is said to have founded the International Submarine Band in 1966, but that band’s album was not released until later years. So that is not a sure date. He was part of the Byrds, a manufactured group formed in 1968, and had various associations until his fake death in 1973. He was accepted to Harvard in 1966 under suspicious circumstances (bad grades), and is said to have missed a whole lot of classes.
Buddy Holly was born in 1936 we are told, and was 22 when the plane crash was reported. All of the photos of him speak of a younger man, perhaps a teenager, but still, we have to overcome ten years to put him in the same range as Parsons, and fourteen for Geffen. We have dealt with timeline problems in the past here, for instance the very old-looking Amy Goodman said to have been born in 1957. So this is not new or insurmountable.
The photos speak of too much resemblance to pass up nonchalantly. Ear alignment is dead on. Facial alignment, eyes, ears, nose are also dead on. Parsons and Geffen/Katzenberg also align in the teeth.
We have learned in this work that Wikipedia is full of false leads and signals. Both Geffen (66% in 60) and Katzenberg (born 12/21) are signaled. Further, the instant careers despite lack of noticeable musical talent speak of young men selected to be stars. Katzenberg and Geffen becoming industry moguls in two industries that are controlled by Intelligence speak of men selected for fame as well. The Lennon connection with Geffen just prior to his fake death is intriguing – as if Geffen is charmed. Or connected.
I rest my case on the photo work with the knowledge that with these characters, nothing in their present is likely true nor anything in their past. We don’t know their real names, dates of birth, or backgrounds before emerging as public figures. There is a whole division at Langley charged with writing the fake bios for those who have to die young and reemerge with new identities.
Final note: With all photos I set pupil distance at one inch and let the cards fall where they fall. I do not resize skulls, so that alignment when it happens is not by means of monkey business. I have had complaints in the past that it takes too long to progress from one face to the other in the gif’s but I can easily slow them down for anyone interested, or even provide stop screen grabs.
PS: Perhaps I should have started with this: