This post is written to accomplish three objectives.
- I needed to satisfy myself that the actor known as “Eva Perón” was indeed one person, and not a composite. I went looking for twins and body doubles.
- I needed to understand who the second “mother” was in the Ciccone family photographs. It took a second set of eyes, those of Richard once more, to solve that mystery.
- I need to put this project to bed and get on with my life. Here’s hoping.
As to the use of names like “Eva Perón, “Silvio Ciccone,” “Madonna Fortin,” and of course, the singer known as “Madonna,” we have no idea who they are or what their real names are. I use those labels for convenience, nothing more. All the world’s a stage.
So off we go once more. You might be surprised, no, shocked, at Richard’s discovery. Continue reading “Eva Perón: Another shoe drops”
The above photo has been sitting here on my computer for maybe two years. It comes from the days when I was deceiving myself into thinking that twins were all about us. But it still bugs me. It is said to be Taylor Swift with her parents. The problem is that Swift looks like a mannequin. Below the fold is another photo of Swift.
Continue reading “About those photos …”
Below are photos of Paul McCartney (1959) who performed live with the Beatles in the 1960s, Mike McCartney (1957) who stepped in and out of “Paul’s” shoes, and eventually became the permanent Paul McCartney we know today.
I can easily tell them apart. Others, including facial recognition expert Joelle Steele, insist they are the same person. The reason, I suppose, is career-related. If she were to assert two Paul’s, she’d never be called upon to offer expert testimony again. I am not calling her a liar, but do know that evidence is often tainted by the need to make a living. But for most other people, recognition of two different people is hard because of the glassy-eyed manner in which they view the world, never really stopping to both think and examine evidence. It is what they are told it is. Continue reading “Eva Peron: The plot thickens”
Evita lived on in the material world
Back in the day, when Straight was still here, we bounced from one discovery to another. The zombie matter was of great interest. Rarely did a day go by that I did not get an email from him suggesting I look into this or that person. The man has great instincts. He tired of the work, wanting to live in a more positive sphere. I get that, and wish him well, always. For me, just as I loved to curl up with Sherlock Holmes as a kid, I love the work I do here and would not trade it for journalism in any form. This is honest and rewarding work.
There have not been too many new discoveries since Straight left, though I have moved far afield of facial analysis. But I do have my eye out. Thus it was that my wife suggested we visit La Recoleta Cemetery while in Buenos Aires with two crypts in mind: That of Liliana Crociati de Szaszak, a young woman killed in an avalanche in Switzerland (left), and Eva Perón, or Evita (right).
I knew very little about Evita other than that movie from 1995 and the Weber/Rice Broadway musical with its associated ear worms. I did not care for most of the movie but enjoyed the opening number in which Madonna sang Buenos Aires, train providing the percussion. The rest was not memorable for me, and anyway, what the hell was Che Guevara doing there? He seemed to be an anachronism. (He was put there for a reason, no doubt, but we can only guess.*)
Continue reading “Eva Perón: The Rest of the Story”
In years past on this blog on the anniversary of the 9/11 event I would put up a memorial post, a trick. I would talk all sad and disturbed about the events of 9/11, but only reveal a the end that I was actually talking about 9/11/1973 and the removal of Salvador Allende from office as President of Chile.
Little did I realize as I wrote those posts that use of the date 9/11 was a signal to the world that we were dealing with a fake event. For those not up to speed on numerical markers, the numbers 8, 11 and 33 seem important to the spooks who stage public hoaxes, almost like a signature. The number 9 is a way of saying 33, that is, it is 3*3, so that 9/11 is really 33 and 11 side by side. But it gets better – in a non-leap year, September 11 is the 254th day of the year, and 2+5+4 = 11. It’s a double whammy.
Continue reading “9/11/73”
Don’t cry for me Argentina, the truth is I never left you …
We are in Buenos Aires and soon to return home. I don’t normally use the blog for travelogue purposes, but this seems appropriate. While here we visited the La Recoleta Cemetery, a place where wealthy people are entombed. It is perhaps a thousand crypts, all elaborate beyond the pale. One of them is for the Duarte family and is said to house the body of Eva Perón, or Evita. The words from the song above are oddly a statement of fact, truth hidden in plain sight. Eva Perón did not die in 1952.
On plaques at the tomb I was able to calculate her age of death as 30, July 26, 1952. 7/26 is a spook number, adding up to both 8 and 33, but I thought perhaps a death at age 30 might be real. Later I learned that her real age at death was also 33, that she or someone had forged her birth certificate to give her credentials as a Duarte, also making her three years younger in the process.
Continue reading “Eva Perón, a fairy tale life”
Note to readers – I received this very interesting submission by frequent commenter Kerry, and am happy to publish it for him.
Did Everett Ruess fake his death?
By: Kerry Anderson
For readers unfamiliar with the story, Everett Ruess was a 20 year old artist who vanished near the Grand Canyon in November of 1934. At least 2 search parties covered many square miles of rugged terrain. These were experienced locals and Navajo trackers. All that was found was an old campfire, the word “NEMO” (one of his monikers) carved into the sandstone, and his 2 burros, Cockleburrs and Clocolatero, along with their halters. None of his camp equipment, art supplies, or other possessions were ever located.
Continue reading “Did Everett Ruess fake his death?”