Tag: hard-rock

1971-1979: 100 Best of the Best-Selling Albums (The First 50)

After completing my deep dive into the best-selling albums from 1971 to 1979, I’m here to share my personal picks for the 100 most satisfying listens of the decade. Nobody asked for this, but here it is anyway! Keep in mind, these aren’t necessarily the best albums of the era—just the best of the best-sellers. And yes, the list leans heavily toward white male-centric releases. That’s partly because, well, I’m a white male, and also because the 1970s were undeniably a white-male-dominated decade in music.

Selecting the first 50 albums was fairly straightforward, and for anyone over 40, there won’t be many surprises. The second half of the list has been trickier to finalize, but I’m working on it. After spending so much time exploring this musical landscape, I felt compelled to share my findings.

Under each selection, I’ve included a “CliffsNotes” review courtesy of AllMusic. While I typically don’t hold professional critics in high regard—they often feel like industry insiders with unreliable takes—I found myself agreeing with their assessments. Plus, it saved me a lot of effort!

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Investigating Social Engineering in Music: Alice Cooper

After the dissolution of The Doors in 1971, another band emerged to fill the void of dark, theatrical rock: the Alice Cooper Band. That year, they released two albums, Love It to Death and Killer, both of which showcased impressive musicality. However, their true standout feature was their bold embrace of taboo themes, including manic insanity, necrophilia, and the infamous “Dead Babies.” Such provocative subject matter inevitably drew criticism and sparked debates about artistic intent, with defenders dismissing objections as either prudish overreaction or a failure to appreciate the dark humor and performance art inherent in the work.

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