[Note: Comments have been turned off on this post, accidentally.]
I had an embarrassing evening, a burst of excited energy shared with others followed by “Oops!” I eagerly contacted the other writers and a couple of friends of the blog to tell them that our work on Janis Joplin had disappeared! It had not. It was just buried under many other pieces in the blog search engine. Following some chardonnay, I realized that I was excited for two reasons – one that someone cared enough to mess with our work, as when my Magic Bulldozer piece on Dennis Washington disappeared.
But the other was that I was going to be able to do the work again. It is the kind of stuff I really enjoy, discovery using my own talent rather than relying on others, and in the Joplin case, also that of our friend Straight. This morning, headache aside, I decided that I wanted to do the work again anyway. I have fresher insight into these matters now than two years ago when the original post, “A Piece of Two Hearts?” appeared.



There have not been too many new discoveries since Straight left, though I have moved far afield of facial analysis. But I do have my eye out. Thus it was that my wife suggested we visit La Recoleta Cemetery while in Buenos Aires with two crypts in mind: That of Liliana Crociati de Szaszak, a young woman killed in an avalanche in Switzerland (left), and Eva
In years past on this blog on the anniversary of the 9/11 event I would put up a 
For readers unfamiliar with the story, Everett Ruess was a 20 year old artist who vanished near the Grand Canyon in November of 1934. At least 2 search parties covered many square miles of rugged terrain. These were experienced locals and Navajo trackers. All that was found was an old campfire, the word “NEMO” (one of his monikers) carved into the sandstone, and his 2 burros, Cockleburrs and Clocolatero, along with their halters. None of his camp equipment, art supplies, or other possessions were ever located.