I have been debating whether or not to link to a critique of the work of Miles Mathis, and have decided to go ahead with it. For one, the tone is respectful, and for another, I don’t have to, nor do I want to participate. I am not going to print the piece here, but rather just link to it with the warning that it is over 7,000 words long. I don’t think too many people want to take on a large reading project without warning. Right, Petra? TimR? (I bring up those two names not to belittle them, but rather because they strike me as two people who would indeed dive in)
As to my own participation, I once allowed a piece to be run here that was not only critical, but disrespectful in the extreme, even hurtful of the man’s feelings. I deeply regret that. When the author left here I took the piece down and I contacted MM, told him what I had done, and also that I could not undo what I had done. I didn’t apologize, as that seemed a bit obsequious, and what good would it do? Done was done. I only decided for myself that I would lay off criticism of MM, permanently. I had not earned the right.
I first read The Cultural Cold War in 2019. Written by Frances Stonor Saunders, it was highly recommended to his readers by Miles Mathis. I gave my copy away. It is one of those books that should be kept on hand for reference. Saunders is surprisingly (to me) young to have published such a book. She would have been 33 when it was first published in 1999. I am rereading the 2013 edition. (Saunders is currently 58.)
María Eva Duarte de Perón, popularly known as Evita, was an early rock star of sorts, the Princess Diana of her time, the late 1940s-early 50s. She was world famous. She was (1946-forward) the First Lady of Argentina by way of her 1945 marriage to Juan Perón, who was elected president in 1946. Evita is said to have died on July 26, 1952.