Native Americans Need Not Apply

Dutton Family Home on Yellowstone Ranch

We’ve been watching the TV series Yellowstone these past couple of weeks. It’s well-acted and the writing is intense, violence always threatened to break out anywhere. The series is supposedly set in Montana and near Bozeman. Indeed some of the street scenes are of Bozeman, meaning a movie crew did some filming there, but without the actors in the series.

The series stars Kevin Costner as owner of the Yellowstone John Dutton Ranch, a massive complex that appears to be located in Paradise Valley near Livingston, Montana. In real life, the outdoor sequences were filmed near Darby, Montana, a small town located near the far western border of the state. Indoor sequences are shot on massive sound stages in Park City, Utah.

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Overdub this!

Overdub: to add other recorded sound or music, as a supplementary instrumental or vocal track, to a taped musical track to complete or enhance a recording.

I recently purchased a CD set containing 78 songs by the late Glen Campbell, perhaps the best all-around musician I have ever seen perform. My objective was to create a playlist on my iPhone of maybe 10-15 songs. My music library that I use when driving or working out at the gym is a large collection of classical music, too much of it. I wanted some diversity, and so lately have added the Carpenters, Charlie Haden and Hank Jones, and now Glen. Man have my tastes changed over time! For each song on the Campbell CDs, the people who assembled the body of work gave full credit to the musicians who worked over the song before, during and after the vocal tract was laid down. (With Campbell, it would have been vocal and guitar, as he was among the best guitarists in the world.) Then other musicians and engineers go to work on it. For Wichita Lineman, for example, we get this:

(Song written by Jimmy Webb)

Featuring Campbell, Donald Bagley, Al Casey, Jim Gordon, Carol Kaye

Overdub musicians: Samuel Boghossian, A.D. Brisbos, Roy Canyon, Joseph DiFiore, Jesse Ahrlich, Virgil Evans, Bob Felts, Anne Goodman, Jim Horn, Dick Hyde, Norman Jeffries, Willilam Kurasch, Richard Leith, Leonard Malarsky, Michael Melvin, Wilbert Nuttycombe, Jerome Reisler, Ralph Schaffer, Sidney Sharpe, Robert Sushal, Tibor Zelig

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Face splitting put to good use

The watched a new version of an old tale, The Batman last night. It stars Robert Pattinson, and man is it dark. Every outdoor scene is at night and in pouring rain. Pattinson’s Bruce Wayne is morose, depressed. It seems that his mother and father were murdered, and the guy never got over it. So there he is, an orphan, living in a mansion, having all the resources a man can have. He’s got no girlfriend, of course.

At a certain point in the movie, The Riddler (Paul Dano) is in jail, and he and The Batman are conversing. The Riddler subtly implies that he knows that Bruce Wayne is The Batman. Thinking about it, I thought, you know, man, that could be right. I’ve never really thought about it. But I do have this technology here to test this theory.

So I did the usual, setting the eye pupil distance and all of that, and I have to tell you, with The Batman, it was difficult. The guy wears contacts that record everything going on in front of him. So I just sort of had to guess. This is what I got:

There you have it.Bruce Wayne is The Batman. For me, this puts the whole movie, in fact, the entire Batman franchise in new perspective. I’ll never again see two separate and unrelated characters.

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Rocks, Rubble, and Roubles . . . and Boulé PsyActs?

“The military . . . establishes contact with a TA [target audience] using face-to-face communication (F2C) and psychological actions (PsyActs) . . . Both are audiovisual products consisting of agents of action who deliver messages to a TA . . . Both require that the people involved follow a set of guidelines while play acting to deliver the messages. Both are used to modify the behavior of the A [audience] . . . to help create audiovisual products, the military can enlist the services of theater actor guilds . . . The people who convey these messages are known as agents of action (also called actors) . . . Some agents of action can be key communicators . . . These individuals are usually seen as trustworthy to the TA . . . PsyActs are conveyed by these actors in the presence of the TA . . . The agents of action follow a general script to convey these messages. These scripts are basic guidelines which allow the actors to adjust their message as the conversation progresses so that it doesn’t sound fake . . . This is a type of live theater performance that can be carried out in a variety of settings . . .”

~ Mark M. Rich, New World War: Revolutionary Methods for Political Control

Several researchers in the truth community (see here, here, and here) have determined that the main reason for the seemingly choreographed stunt performed collaboratively by Will Smith and Chris Rock during the 94th Academy Awards ceremony was to surreptitiously promote the new Pfizer alopecia drug treatment (AKA a covert alopecia awareness campaign). Accordingly, Pfizer was a primary sponsor of the 2022 Oscars, and recently announced their new drug under development to treat alopecia.

I submit this March 30, 2022 article, “Ridiculous: Viral Oscars Theory Says Pfizer Staged Slap to Promote Alopecia Drug” and this March 31, 2022 article, “Evidence does not support the claim that Pfizer staged Oscars confrontation to promote new drug,” as evidence that the alopecia promotion narrative may have been an intentional bread crumb to lure conspiracy theorists down a scripted rabbit hole. 

I surmise that the reason why numerous truthers immediately recognized and described this stunt as being “transparent” fakery is because it may have been designed to be relatively obvious — and then subsequently (and almost instantly) mocked by the MSM. My suspicion is that the Pfizer sponsorship (and its future alopecia treatment) — as related to the Oscars and Jada Pinkett Smith — may have been inserted to induce this conspiracy theory. 

It seems nearly everyone in the fakery analysis community took the bait. 

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The Stench of Digital Dung: Virtual Variants, Trigger Events, and Blockchain Cults

If you haven’t already, kindly remove your face diaper before proceeding.  

“Nearly one century ago, Lewis Mumford observed in his magnum opus, Technics in Civilization, that great advances in technology and society come from the intersection of complementary and mainly technological revolutions. Mumford assigned a label . . . to each of history’s modern eras. The first, with its ‘collection of inventions and ideas introduced from about AD 1000 into the eighteenth century,’  Mumford labeled the ‘ecotechnic phase’ . . . The second era, the Industrial Revolution, characterized by advances in ‘materials and power sources,’ he termed the ‘paleotechnic phase’ . . . His own time, the 1930s, which witnessed a flowering of innovation from ‘new alloys, electricity, and improved means of communication,’ he labeled the ‘neotechnic phase,’ (neo, of course for new).

To extend that taxonomy, we propose ‘neurotechnic phase,’ (the Greek root neuron meaning nerves) for the coming long era of growth. 

We now enter humanity’s first era of a networked, ubiquitous, and intelligent infrastructure. We do in fact live in time of a ‘new normal.’ But instead of our future being one of perennial slow growth and technological stagnation, it will be just the opposite. The reality is that we, and our children, and grandchildren, live at the beginning of the long neurotechnic phase of civilization, the most exciting and promising time in history.” (p. 327-328)

~ Mark P. Mills, The Cloud Revolution: How the Convergence of New Technologies Will Unleash the Next Economic Boom and a Roaring 2020s  

Writer’s Note: As I wrote this essay, I felt the need to “borrow” language from other writers and thinkers who have come before me, with remarkably greater insights and poetic lingo. Thus, I have repeatedly incorporated their original thoughts, and to simply credit them, rather than clutter the piece with long quotes. I chose to place their initials in parentheses where appropriate. Further, in most instances, as I was jumping from quote to quote, page to page, chapter to chapter, and post to post, I had trouble retroactively identifying their origins. So many of their insights blended seamlessly and synchronously with my own, that at times I found it challenging to distinguish where their thoughts ended, and mine began. Therefore, in my best effort to acknowledge these critical voices, I make every attempt to delineate them. I apologize in advance if they (or the reader) encounter any questionable overlap that went unaccounted for. Accordingly, following is the legend I utilized to denote these individuals:

Alison McDowell (AM) of wrenchinthegears.com

Michael Hoffman (MH) of revisionisthistory.org and author of Twilight Language and Secret Societies and Psychological Warfare 

Goro (G) of supertorchritual.com (most of his work at STR is behind a paywall — see Endnote 1)

Herein, I go beneath the masonic symbolism most often apparent and mirroring the occult. We are going deep — equipped with a Cryptocracy lens — into an abyss replete with Twilight Language (MH) and public psychodrama . . . into a land of disenchantment (MH), where we may see some uncanny coincidences that possibly serve as a reflection of a larger, yet hidden, gestalt out in the open.

How is that for a paradoxical and cryptic lead-in? 

Readers may recognize this phenomenon as Revelation of the Method, a term ostensibly coined by symbolism science extraordinaire James Shelby Downard, to describe the subliminal alchemical processing of society by its self-selected Cryptocratic controllers, through orchestrated open-air rituals (MH). 

My aim is to break any trance state that has been imposed on us. But how does one become lucid and mentally agile amidst all the noise spewed out by the Machine? Perhaps some kung fu pattern detection is in order . . . 

What is that terrible smell in the air? Do you sense it? Perhaps not. So please allow me to point it out.

There is digital dung (MH) floating around in the ether these days, defined and applied (by me; see Final Writer’s Note) as: symbolic, subliminal clues placed in open sight by the sorcerous system through public rituals, which unconsciously mirror the digitized infrastructure being built inside and around us — by humans, yet not for humans, as it ultimately serves the technological non-human master (the “AI beast”). Accordingly, we do not beneficially reap what we sow, as we increasingly become digitized, remotely-programmable serfs indentured to the Singularity.

Unless you have been living under a rock, undoubtedly, you have heard of one iteration of digital dung. It’s called Omicron. You may have thought it was only the name of a deviant (cough cough, I mean, variant), or an anagram of moronic or oncomir. Word play seems to have had a renaisssance since this mischievous deviant appeared on the scene. I suppose that’s a good sign. Some of us have been playing with words for many years, and it is kind of nice to see others joining in on the decoding amusement. Funny thing, though, there is one underhanded and unremitting thread that I have noticed, which seems to have been omitted from public awareness, and thus, deserves unraveling. Once you see it, I suspect you may not unsee it. Further, you may start to detect the curious pattern elsewhere. Let’s dip our toes into de-occulting this, shall we?

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Friday tidbits

Stephers puts so much effort into per posts, giving them a long-lasting quality. They are still drawing comments months after posting. When she called her most recent “Part 10 of 10” I was somewhat concerned that she would not be writing anymore. However, she says that she is not done, just done with that particular series. She has much to offer, and will continue to write. For that I am thankful. Continue reading “Friday tidbits”

McCartneyism

A commenter, Den, some time back suggested that I watch the movie Give My Regards to Broad Street, put out in 1984, written (supposedly) by “Paul” McCartney.” I say “supposedly” because I have no belief in the man’s integrity, knowing as I do that there are two of them. A lot of great songs have come our way from this pair, but the question I ask is that even if we assume Paul McCartney wrote that stuff, well then which one?

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Framing John Lotter: The Fake Murder of Brandon Teena

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The deception in this case is enough to give anyone vertigo.

This is a long-form article about the 1993 fake murder of Brandon Teena, the infamous trans-gendered Nebraska citizen. Please buckle up and prepare as I first walk you through the basics, then get we will get neck deep into the fakery.

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2001: The Moon is the Monolith

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Our moon, fitting like a glove with the Jovian moons.

A commenter recently raised the topic of the moon, and this is such a juicy topic for a site like ours. I provided my theory then, that our moon was originally one of the moons of Jupiter, placed here with Earth…and I wanted to more formally expand upon that here. Keep in mind, I say “theory” in the strictly scientific sense. This is just an idea, and I welcome feedback (one commenter already very helpful in that regard). Keep reading, and see if you think I might be onto something.

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GoT

As we settled in here for a long winter, with heavy snow in late October followed by a couple of lesser storms, I realized we had many long nights ahead of us here in the Colorado Rockies. I decided to subscribe to HBO. In so doing, Game of Thrones became available to us. I was one of those who had never watched an episode in all of its eight-year run, but I did recall seeing some naked blond woman (Daenerys Targaryen  played by Emelia Clarke) standing in front of a burning building one time. We must have been in a motel.

So, we settled in this winter to watch one episode per night.

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