The Tel Aviv Museum of “Art” has an interesting exhibit called “Fake?” It’s an exploration of various forms of fakery in art, from some of the most notorious Vermeer forgeries by Han van Meegeren to phony archaeological artifacts. I recently went to see the exhibit, and it was, to my surprise, an interesting and thought-provoking meditation on the question and definition of fakery in art.
One of the things that caught my eye was a deconstruction of a famous photograph of Theodor Herzl meeting Kaiser Willheim II on October 28, 1898 outside an agricultural school in Mikveh Israel in what was then Palestine. (Herzl, you’ll remember, is regarded as the father of the modern Zionist movement and makes an appearnce, along with some fishy photos and other red flags, in my paper pulling back the curtain on the Dreyfus Affair hoax.)
The exhibit showed that this famous picture was actually a fake, created by splicing and dicing two different pictures. Here is the famous one: Continue reading “Fauxtography inside the Matrix”
